

MODERN DISTORTION
The JHS Hard Drive is the first attempt in our company’s fifteen-year history at a full-blown and respectable modern distortion pedal that is not based on a previous circuit or classic topology. In 2016, Josh had the idea to develop a circuit that covered the best high-gain distortion tones of the ’90s and 2000s, a sound that embodied the post-grunge alternative rock movement. We started by looking at pedals, then amps, and after exploring the typical paths of circuitry, we took a sharp turn and started from scratch. Eight years later, the pedal is finished and ready to take you to the next level. The Hard Drive goes harder and further than any gain or distortion we’ve released so far.
A FRESH APPROACH
A fresh approach to achieving high gain distortion in a pedal format, the Hard Drive includes cascaded gain stages and a hard limiting circuit, followed by a class AB amplifier section that drives a “sweepable midrange” EQ and Baxandall bass and treble controls. With its generous external controls, the Hard Drive lets you dial in everything from grinding tube amp crunch to a bona fide wall of distortion that can easily cut through any stage or studio mix.
HONORING CLIFF SMITH
The Hard Drive holds a special place in JHS history as the final design work of our former head engineer, Cliff Smith. The prototype and design had been finalized just weeks before he passed away in 2021.
“I don't know that there's ever been a JHS circuit where we experimented more. It was always a loose and casual approach to getting this right. I knew something great would come of it, so we just let it simmer…Cliff would call the Hard Drive circuit a mutt, and I agree– meaning this circuit is not a clone of anything in particular but rather an original iteration of tons of different inspirations and ideas, kind of like the Colour Box that he and I developed years earlier. I have vivid memories of Cliff spending entire weekends and nights tinkering and experimenting with this circuit. He would message me notes on the weekend when he got excited about something he stumbled into. This pedal was his hobby for a long time. He truly loved big, complicated gain staging and the challenge of making solid state circuitry respond like a valve amp. As a passion project that became a real product through Cliff’s consistent work, I can’t think of a more fitting last release from us as a design team than the Hard Drive. Cliff loved learning and this was his last masterclass. It’s an honor to finally put it out and let people enjoy the idea he brought to life.” - Josh Scott
CONTROLS
Volume - Controls the overall volume of the pedal. Left is less, right is more.
Mid Freq - Controls which mid frequencies are boosted or scooped by the Mid control.
Drive (Distortion) - Controls the amount of drive (distortion). Left is less, right is more.
Bass - Controls the bass frequencies level. Noon is flat, left is cut, right is boosted.
Middle - Controls the mid frequencies level. Noon is flat, left is scooped, right is boosted. The frequency range is set by the Mid Freq control.
Treble - Controls the treble frequencies level. Noon is flat, left is cut, right is boosted.
Silent soft touch switching with a buffered bypass.
THIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 78mA, AND MEASURES 2.6" X 4.8" X 1.6".
1 – All claims require a purchase receipt. It is the customer's responsibility to present it when making a claim.
2 – Except as stated below, in-store sales are final and items purchased may not be returned. By completing their transaction, the customer acknowledges that they have taken the item(s) in optimal condition.
3 – Guitars, basses, pedals, amplifiers, accessories, and tubes are not returnable. By paying for the item, the customer acknowledges that: (i) they inspected it and found it to be in optimal aesthetic condition without defects; and (ii) they tested it and it was functioning properly.
4 – All claims due to defects are subject to the manufacturer’s terms and conditions.
5 – Guitars, basses, pedals, and amplifiers will have a 30-day warranty. The electronics of guitars and basses will have a 90-day warranty. Guitars Boutique, at its sole discretion, will decide whether to repair, replace parts or components (with identical ones), and/or replace the item with an identical one.
6 – At the store's discretion, defective items may be exchanged for an identical item SUBJECT to the defective item being in the same condition as when it was acquired, including its original packaging with all its accessories. This will be done as store credit only. The credit does not apply to special orders or lay-away.
7 – All merchandise leaving the store will be considered as used in the future.
8 – No refunds will be given, regardless of the person.
9 – Special, clearance, or discounted items are not returnable.
Puerto Rico only.
In case of a return, the shipping cost will be deducted from the refund.
Guitars Boutique ships to PR via federal mail USPS, UVA, and iWide.
Estimated delivery time once the order has been shipped:
- Lightweight items, less than 14 pounds are shipped via USPS.
- Heavier items are shipped via iWide and UVA.
- No shipments are made on Sundays.
Guitars Boutique is not responsible for delays caused by shipping companies.
- The buyer is responsible for the care of their instrument/equipment against changes in temperature, humidity, and unstable current.
All guitars, basses, pedals, and amplifiers will have a 30-day warranty. - The electronics of guitars and basses will have an extended warranty of 90 days.
- Suppliers, who generally reserve the right to decide whether to repair, replace parts or components (with identical ones), and/or substitute the item with an identical one, at their sole discretion.
- Exchanges, if warranted (at the store's discretion) and if the product is in optimal condition (including its packaging), are for store credit only.
- Credits do not apply to special orders or lay-away.